Stadion Miejski Wroc?aw

Architects: JSK Architekci 

Location: Wroc?aw, Poland
Architect In Charge: JSK Architekci 
Design Team: Zbigniew Pszczulny, Mariusz Rutz, Piotr Bury (project manager)
Project Year: 2011
Photographs: JSK Architekci

Project Area: 248,401 sqm
Landscape Architect: RS Architektura Krajobrazu
Structure: Schlaich Bergermann und Partner (steel structure), Matejko i Partnerzy Biuro Konstrukcyjne (RC structure)

Background
UEFA’s decision to select Poland and Ukraine as the hosts of EURO 2012 encouraged the city of Warsaw to organize an architectural competition for the new stadium which would hold 40 thousand seats and be prepared to host group matches of EURO 2012.  21 renowned architectural practices were invited to compete. Polish practice JSK Architekci was awarded with the first prize and in October 2007 the office was granted the commission to deliver the project.

Development site is 7km outside of Wroclaw city centre. Existing infrastructure surrounding the new stadium was improved by the new motorway bypass and the new tram line providing additional access to the site from west and north. Stadium development had a positive impact on the economical growth of the surrounding neighbourhood with plans of further development i.e. a new office park and the first in Poland shopping mall strictly adjacent to the stadium.

Concept design
The stadium building and its surrounding were designed to present both interesting architectural form and fulfil requirements of economical exploitation yet providing maximum functionality and flexibility. The design of the site plan emphasizes the main building of the stadium making it a dominant feature in the surrounding space. Platform surrounding the stadium on the entrance level (6m above the ground) descends gently (4% fall) to the ground level under the street overpass allowing a comfortable and collision free pedestrian connection to the railway and tram station to the south, also covering level 0 of the stadium plot with VIP entrance, driveway and parking places. Separating main stream of pedestrians from the remaining vehicular circulation routes created a friendly and welcoming entrance zone to the building.


This plateau provides the pedestrians with an extensive space and a roof for the parking lot and the service road. The plateau from the north western side is woven by with the rising plateau of the car park. This rising roof level of the car park hides the one for a shopping centre tied area. Conceived as a single tiered stadium with a uniform stand bowl, makes it possible for the spectators to be aware of a sporting event in a more exciting way. Despite the great building scale it has been successful to keep an intimate atmosphere on the whole stand. So we can experience a unique atmosphere. This stadium in its scale is one of the few with a single tier.


A clear and apparent scheme of the functional design makes a fluent admission into the stadium building possible. The bowl of the semicircular stand is attainable from 2 promenades on 2 levels. Numerous turnstiles which allows us to run onto the lower promenade are placed in a complete radius of the building. The upper promenade is easily attainable with the help of open stairwells. Both promenades form a kind and comfortable space with all possible welfare facilities (catering trade, toilets, first help, police). For a luxury the promenades were wrapped by a transparent membrane. On the one hand it offers protection of bad weather conditions, on the other hand it is closing the building form visually. The number of pillars was reduced considerably so that spacious and open promenades could be created.


Building rentable area organizing system is quite unique. Conventional designs usually locate rentable areas underneath tribune structures, Wroclaw’s stadium separates them from the structure by creating a promenade and a massive void allowing visitors admiring tribunes from underneath. Along promenades toilets and retail units ready to service 40 thousand visitors were located. Open staircases leading spectators up to the top level strengthen the feeling of openness and allow for the exposed reinforced concrete structure to be admired. Standing out mesh membrane is characteristic for the new Wroclaw stadium. It consists of a polytetrafluoroethylene covered fibreglass and is pushed on 5 ring beams of steel. The 5 ring beams refer by the horizontal geometry to the well-known Wroclaw’s modern architecture.


Stadium design was based on UEFA and FIFA guidelines supplemented with the experience of EURO 2006. All the tribune seats are roofed and provide unobstructed view of the pitch. Both promenade levels are duly serviced. On its western side business club and VIP hall were located.  Zone for footballers and media has been envisaged as well. Level +3 holds lodges with the conference rooms featuring rows of seats facing the stadium arena. Stadium will also be home to sport bar, offices, physiotherapy centre, fitness club, discotheque, casino etc. Diversification of available services allows the building to be used all day long.


Structure
The main bulk of the stadium building consists of three main elements:
– Tribunes construction of reinforced concrete.
– Steel construction of the roofing structure, with its oval shape repeated in the form of three rings at varying angles surrounding the building.
PTFE covered fibreglass mesh membrane stretched on the above mentioned steel rings.


Roof design is formed with the light cantilevered steel structure consisting of 38 radially spread trusses sitting on a pair of columns each (one is pressured the other tensioned). The stadium roof generally appears as membrane roof with a glass ring part designed to bring maximum amount of sunlight to the pitch.


Facade
Facade belting the stadium starts at the height of 3.5m above esplanade level.  Its structure consists of 5 steel beams – rings and it is covered with partially transparent mesh membrane. Façade’s form results from the shape and arrangement of the steel rings formed with curved steel pipes. The lowest and the highest rings are placed horizontally keeping distance of 30m between them. This dimension determines the height of the mesh membrane façade. Additional dynamic factor to the facade was achieved by setting inwards and sloping the middle rings and by shifting northwards the upper fourth ring. Due to the strength of local winds affecting the elevation mesh membrane proper simulation tests in the aero dynamical tunnel were conducted during the designing process.  Another simulation of smoke extraction was performed helping to properly design mesh grid and its factor of open area.


Summary
Thanks to façade treatment stadium appears to be light and transparent despite its massive size. The façade mesh protects the usable yet open space of the promenades from weather conditions such as rain and wind. Internal LED lighting system was introduced allowing the building to project light through the façade’s mesh from inside. Overall impression of the “glowing” building is similar to that of the Chinese lantern. Thanks to the LED technology colour and pattern of the lighting can be easily changed thus the building’s character can be visually adjusted to the planned event (such as EURO 2012, league and national tournaments, music shows or other mass events) and can generate particular feel to it following the current need.

Olympic Shooting Range – Temporary

With the London Summer Olympic Games rapidly approaching, there has been much talk about either the games are in fact economically good for a city. At its best, hosting an Olympics can help revitalize a city, and at its worst, playing host can leave the host-country drowning in debt.

There are a lot of reasons for this, but one is simply the cost of building new venues, all with a price tag to match their state-of-the-art design. When the athletes and fans pack up and go, the new stadiums and event-specific venues–for example, the Athens Olympics had a venue just for taekwondo– are often left empty, and unused far before the bill is settled.

In London, there has been a little of everything, from big name high-priced venues to littler, temporary structures. But how do you make a temporary building that still has an architectural impact? Perhaps in an effort to answer this question, London and Berlin-based Magma architecture came up with a design for the Olympic Shooting Gallery that could be dismantled, but that you won’t soon forget.
Olympic Shooting Venue by Magma Architecture

The shooting galleries for the London 2012 Olympic games are covered in spots that look the suckers of an octopus’ tentacles.
Olympic Shooting Venue by Magma Architecture
Designed by Magma Architecture of London and Berlin, the Olympic Shooting Venue comprises three PVC tents that have been erected at London’s historic Royal Artillery Barracks in Woolwich.
Olympic Shooting Venue by Magma Architecture
The extruded red, blue and pink circles draw ventilation inside each of the venues and also create tension nodes for the steel structure beneath the white skin.
Olympic Shooting Venue by Magma Architecture
Some natural light permeates this PVC membrane, while entrances are contained inside all the spots that meet the ground.
Olympic Shooting Venue by Magma Architecture
As the structures are only temporary, they will be dismantled immediately after the Olympics and reassembled in Glasgow for the 2014 Commonwealth Games.
Olympic Shooting Venue by Magma Architecture
Olympic Shooting Venue by Magma Architecture
Olympic Shooting Venue by Magma Architecture
Photography is by J.L. Diehl unless otherwise stated.
The text below is from Magma Architecture:

?London Shooting Venue
The London Shooting Venue will accommodate the events in 10, 25 and 50 m Sport Shooting at the 2012 Olympic and Paralympic Games in the southeast London district of Woolwich.
Olympic Shooting Venue by Magma Architecture
The first Gold Medal of the London Olympic Games will be awarded at the venue for Women’s 10 m Air Pistol on the 28th July 2012. After the event the three temporary and mobile buildings will be dismantled and rebuilt in Glasgow for the 2014 Commonwealth Games.
Olympic Shooting Venue by Magma Architecture
Shooting is a sport in which the results and progress of the competition are hardly visible to the eye of the spectator.
Olympic Shooting Venue by Magma Architecture
The design of the shooting venue was driven by the desire to evoke an experience of flow and precision inherent in the shooting sport through the dynamically curving space.
Olympic Shooting Venue by Magma Architecture
All three ranges were configured in a crisp, white double curved membrane façade studded with vibrantly colored openings.
Olympic Shooting Venue by Magma Architecture
As well as animating the façade these dots operate as tensioning nodes.
Olympic Shooting Venue by Magma Architecture
The 18.000 m2 of phthalate-free pvc membrane functions best in this stretched format as it prevents the façade from flapping in the windt.
Olympic Shooting Venue by Magma Architecture
Photograph by Steve Bates
The openings also act as ventilation intake and doorways at ground level.
Olympic Shooting Venue by Magma Architecture
Photograph by Steve Bates
The fresh and light appearance of the buildings enhances the festive and celebrative character of the Olympic event.
Olympic Shooting Venue by Magma Architecture
With the buildings being dismantled after the event an additional aim was to create a remarkable design which will be remembered by visitors and the local community thereby leaving a mental imprint the Olympic of shooting sport competition in Woolwich.
Olympic Shooting Venue by Magma Architecture
The shooting venue is not situated in the Olympic Park, but has its own location in Woolwich on the grounds of the historic Royal Artillery Barracks.
Olympic Shooting Venue by Magma Architecture
Photograph by Steve Bates
It is estimated that more than 104.000 spectators will watch the competitions.
Olympic Shooting Venue by Magma Architecture
Photograph by Steve Bates
The three buildings comprise 3.800 seats divided between two partially enclosed ranges for the 25 and 10/50 m qualifying rounds and a fully enclosed finals range. Together they form a campus on the green field.
Olympic Shooting Venue by Magma Architecture
Photograph by Steve Bates
Their up to 107 m long facades refer to the structured length of the Royal Artillery Barracks building, but have their own contemporary architectural expression.
Olympic Shooting Venue by Magma Architecture
Guided by the high requirements from the client, the Olympic Delivery Authority, sustainability was a key factor in shaping the design. All materials will be reused or recycled.
Olympic Shooting Venue by Magma Architecture
All three of the venues are fully mobile, every joint has been designed so it can be reassembled; and no composite materials or adhesives were used. In addition, the semitransparent facades on two of the three ranges reduce the need for artificial lighting and the ventilation is fully natural.
Olympic Shooting Venue by Magma Architecture
The tensioning detail was achieved through an efficient configuration of modular steel components commonly used in temporary buildings market. The double-curvature geometry is a result of the optimal use of the membrane material, which magma architecture has been experimenting with for a number of years, amongst others in the award winning head in I im kopf exhibition at the Berlinische Galerie in Germany.
Olympic Shooting Venue by Magma Architecture
Magma archtitecture was founded in 2003 by the architect Martin Ostermann and the exhibition designer Lena Kleinheinz. Central to our work is the use of complex geometric modeling as a way of creating a more spatially dynamic vocabulary. This is essential to better articulate and reflect the heterogenieity of our cities and global culture.
Olympic Shooting Venue by Magma Architecture
We seek to be part of a new paradigm within architecture – one that is expressionistic, rooted in non-linear form-making and facilitated by new materiality and cutting edge technologies.

Warsaw’s National Stadium wins World Stadium Award 2012


Designed by gmp Architekten, Warsaw’s National Stadium prevailed against international competition and won the World Stadium Award in the best multi-functional stadium design and most innovative use of technology categories in stadium design. On the occasion of the 2012 UEFA European Football Championship, the stadium was reconstructed on top of the existing – but since 1988 no longer used and dilapidated – earth wall stadium (Stadion Dziesieciolecia), and re-opened in January of this year.

The stadium’s construction consists of two succinct parts – the grandstand built of pre-fabricated concrete components and the steel wire net roof with a textile membrane suspended from freestanding steel supports with inclined tie rods above this. The interior roof consists of a retractable membrane sail which folds together above the center of the pitch. This is also where the four-screen “video cube” is installed so as to provide an optimum view from all seats. The top tier is accessed via 12 arch-shaped, single-flight staircases.


The exterior façade consists of anodized expanded metal that provides another envelope for the actual thermal shell of the interior areas and access steps. The panels with their red and bright silver color scheme appear either closed or transparent, depending on the light angle, and from a distance evoke the image of an artistic composition in white and red, the country’s national colors.



The stadium has been designed as a multifunctional events center and, with its approx. 20,000 sqm of office and conference facilities, comprises a comparatively high proportion of floor space which can be used independently of the stadium operation. These spaces are available for all types of events and include the necessary support facilities.


Architects: gmp Architekten
Location: Doha, Quatar
Design: Volkwin Marg and Hubert Nienhoff with Markus Pfisterer
Project Management: Markus Pfisterer, Martin Hakiel
Project Management (roof): Martin Glass
In cooperation With: J.S.K. Architekci Sp. z o.o. and schlaich bergermann und partner
Structural Design of Roof: schlaich bergermann and partners, Knut Göppert with Knut Stockhusen and Lorenz Haspel, M&E Engineering HTW, Hetzel, Tor-Westen + Partner, Biuro Projektów “DOMAR”
Landscape Design: RAK, Architectura Krajobrazu, Warsaw

General Contractor: Konsorcjum ALPINE BAU DEUTSCHLAND AG, ALPINE BAU GmbH, ALPINE Construction Polska Sp. z o.o., HYDROBUDOWA POLSKA S.A. i PBG S.A.

Client: Narodowe Centrum Sportu Sp. z o.o.
Seats: 55,000

Competition: 2007 – 1st prize
Construction Period: 2008-2011